​

DETAILED  CATALOGUE  BY  GENRE

 

SYMPHONIC  WORKS

​

Overture for Concert Band, op. 5 (2011; rev. 2020)

   6’

Concert Band: 2&Picc.Ob&CA.11&Little Cl&Bass Cl.2Bsn/5Sax[2 Alt, 2 Ten, 1 Bar]/4Horns.3Trp&2Cornets&Bugle.3Tbn.4Euph.2Tubas/Timp/3Perc/1 (or 2) Stringed Double Bass

Allegro energico

​

Double Toccata, op. 10 (2013; orch. 2020) [also version for piano and version for organ]

   8’

Symphony Orchestra: 2.2.2&Bass Cl.3/4.3.3.1/Timp/2Perc/Strings

Introduzione in modo di toccata – Toccata concertante

​

Spring Sinfonietta, op. 12 (2014)

   12’

Symphony Orchestra: 2.2.2.2/2.2.2.1/Timp/1Perc/Strings

I- Allegro vivace e giocoso – attacca

II- Poco andante (doppio meno mosso) – attacca

III- Presto con spirito (scherzando) – attacca

IV- Moderato – Molto vivace, con brio

​

Fairy Dance Suite, op. 20 (2009/2017)

   16’

Symphony Orchestra: 2[II+Picc].2.2.2/2.2.0.0/Timp/2Perc/Harp/Celesta/Strings

I- Saltarello : Allegretto grazioso

II- Minuet : Andantino piacevole

III- Chinese Dance : Moderato con moto

IV- Czardas : Allegretto energico

V- Waltz : Andante affettuoso

​

La Fontaine aux Naïades (The Fountain of the Naiads), Nocturne and Dance, op. 28 (2020) [also chamber version for cello and harp]

   12’

Large Symphony Orchestra: 2&Picc.2&CA.2&Bass Cl.2&Cbn/4.3.3.1/Timp/2Perc/Harp/Celesta/Strings

Notturno (Andante) – Danza (Allegretto)

​

Symphony No. 1 for Large orchestra, op. 29 (2021)
   24’
Large Symphony Orchestra: 2&Picc.2&CA.2&Bass Cl.2&Cbn/4.3.3.1/Timp/3Perc/Harp/Celesta/Strings
I- Andante solenne – Allegro vigoroso
II- Lento doloroso
III- Allegro molto, alla danza fantastica

​

Two Catalan Sketches, op. 33 (2022) [also chamber version for violin and piano]
   7’
Symphony Orchestra: 2.2[II+CA].2.2/2.2.0.0/Timp/1Perc/Celesta(optional)/Strings
I- Impressió nocturna (Andante sostenuto)
II- Sardana Llagonnesa (Allegretto con moto)

​

Triptych for String Orchestra, op. 34 (2022) [also chamber version for string quartet]
   21’
I- Overture (Allegro ruvido)
II- Lament (Largamente assai)
III- Toccata (Presto furioso)

​

​

CONCERTANTE  WORKS

​

Alice in Wonderland, Concertino for Harp and Chamber orchestra, op. 3 (2010) [also chamber version for harp, flute, cello/clarinet and piano, and reduction for harp and piano]

   10’

Solo Harp and Chamber Orchestra: 1.1.0.0/0.0.0.0/Timp/Celesta/Solo Cello/Small String Ensemble (or string quintet)

I- The White Rabbit’s Race (Pesante – Scherzando)

II- The Cheshire Cat (Andantino)

III- The Return of Alice (Cadenza – Allegretto)

​

Glamour Concerto, for Piano and orchestra, op. 7 (2012; orch. 2016) [also version for solo piano]

   25’

Solo Piano and Symphony Orchestra: 2[II+Picc].2[II+CA].2.2/4.2.2.1/Timp/2Perc/Strings

I- Glamour appassionato (Allegro)

II- Manhattan Waltz-Romance (Moderato, tempo di valse)

III- Spanish Lovers in Brooklyn (Andante – Allegro all’ espagnola)

Recorded by Valentina Seferinova and the Ukrainian Festival Orchestra conducted by John McLaughlin Williams (Lviv Organ Hall, February 2019)

CD released by the British label Toccata Classics

​

Philip Marlowe Concerto, for Piano and orchestra, op. 8 (2013; rev. 2018)

   20’

Solo Piano and Symphony Orchestra: 0.0.0.0/4.2.2.1/Timp/2Perc/Harp/Strings

I- Allegro drammatico – attacca

II- Lento (Passacaglia) – attacca

III- Allegro feroce, tempo di toccata

Recorded by Valentina Seferinova and the Ukrainian Festival Orchestra conducted by John McLaughlin Williams (Lviv Organ Hall, March 2019)

CD released by the British label Toccata Classics

​

From Midnight to Dawn, Ballade for Alto Saxophone (or Clarinet in B-flat), String orchestra and Harp, op. 11 (2014; orch. 2016) [also chamber version for alto saxophone/clarinet and piano]

   8’

Andante languido e dolce – Allegretto ma non troppo

​

Concerto for Flute and orchestra, op. 23 (2018) [also chamber version as Sonata for Flute and Piano]

   17’

Solo Flute and Symphony Orchestra: 2.2[II+CA].2.2/2.2.0.0/Timp/2Perc/Harp/Strings

I- Introduzione ed Allegro (Lento assai – Allegro ma non tanto)

II- Fantasia notturna (Andante largamente)

III- Rondo scherzoso (Presto con spirito)

​

Pyrenean Fantasy for Violin and orchestra, op. 25 (2019; orch. 2020) [also chamber version as Pyrenean Sonata for Violin and Guitar]

   13’

Solo Violin and Symphony Orchestra: 2.2[II+CA].2.2/2.2.0.0/Timp/2Perc/Harp/Strings

In One Movement

​

Concerto for Trumpet and orchestra, op. 26 (2020) [also chamber version as Sonata for Trumpet and Piano]

   17’

Solo Trumpet and Symphony Orchestra: 2.2.2&Bass Cl.2/4.0.3.1/Timp/2Perc/Strings

I- Maestoso – Allegro deciso

II- Elegy: Andante mesto

III- Vivace alla marcia

​

Aubade for Guitar and Small orchestra, op. 30 (2021) [also chamber version for guitar and harp]

   6’

Solo Guitar and Small Orchestra: 2.1&CA.2.2/2.0.0.0/1Perc/Harp/Strings

Tranquillamente – L’istesso tempo, ma senza rigore – Lento contemplativo

​

Concertino for Trumpet, String orchestra (or string quartet) and Piano obbligato, op. 31 (2021)

   10’

I- Allegro con brio

II- Larghetto pastorale

III- Presto capriccioso

   Dedicated to Lise Bergeon

Premiered by Lise Bergeon (trumpet), Aï Nakano (violin I), Rébecca Normand-Condat (violin II), Yurine Matsuoka (viola), Adrien Frasse-Sombet (cello) and Corentin Boissier (piano) on February 3, 4 & 5, 2022 at the Salle Cortot (Paris)

Performed by Lise Bergeon (trumpet), Aï Nakano (violin I), Rébecca Normand-Condat (violin II), Yurine Matsuoka (viola), Angèle Dubois (cello) and Corentin Boissier (piano) on May 10, 2022 at the Salle d’Orgue of the CNSM of Paris

 

​

CHAMBER  MUSIC

​

Alice in Wonderland, Concertino for Harp, Flute, Cello (or Clarinet) and Piano, op. 3b (2010/2018) [chamber version of the homonymous work for harp and chamber orchestra; also reduction for harp and piano]

   10’

I- The White Rabbit’s Race (Pesante – Scherzando)

II- The Cheshire Cat (Andantino)

III- The Return of Alice (Cadenza – Allegretto)

Recorded by Pauline Amar, Claire Langlais, Clément Caillol and Corentin Boissier (November 2019)

American Premiere at the First Free Methodist Church (Seattle, Washington) on November 9, 2021 by Stephanie Selover, Evan Pengra Sult, Dallas Neustel and Aubrey Marks-Johnson (members of the Seattle Collaborative Orchestra)

​

Alice in Wonderland, for Harp and Piano, op. 3c (2010/2015) [reduction of the homonymous work for harp and chamber orchestra; also chamber version for harp, flute, cello/clarinet and piano]

   10’

​

Divertimento, for Harpsichord, Flute, Clarinet and Bassoon, op. 4 (2011)

   16’

I- Fantasia : Allegretto capriccioso

II- Minuetto : Andantino grazioso

III- Ballata : Allegretto con moto

​

Passionately Yours, Concert-Etude for Two Pianos, op. 6 (2012; rev. 2016)

   7’

Allegro tumultuoso

​

From Midnight to Dawn, Ballade for Alto Saxophone (or Clarinet in B-flat) and Piano, op. 11b (2014) [chamber version of the homonymous work for alto saxophone/clarinet, string orchestra and harp]

   8’

Andante languido e dolce – Allegretto ma non troppo

Version for alto saxophone and piano premiered by Marc Sieffert and Christine Marchais on August 17, 2014 during the 9e Musicales de Bagnac-sur-Célé

Version for clarinet and piano recorded by Benjamin Fryde and Corentin Boissier (June 2015)

Brazilian Premiere by Carlos Cárdenas and Duly Mittelstedt at the Escola de Música de Brasília on October 30, 2020

Recorded by Armelle Verguet and Mathilde Verguet (March 2021)

Recorded in studio by Kristine Dizon and Lindsay Garritson (June 2022) for the CD « An American in Paris » (released in October 2022)

Live performed by Armelle Verguet and Mathilde Verguet on August 5, 2022 at La Roche D’Hys - Domaine Des Arts (Massingy-lès-Vitteaux)

Live performed by Armelle Verguet and Mathilde Verguet on August 11, 2022 at the Église St Vincent de La Llagonne

​

Aria of Past Times, for Instrument (Violin/Cello/Flute...) and Piano, op. 17b (2015) [transcription of the homonymous work for solo piano; also version for violin, cello/viola and piano]

   5’

Version for harmonica and piano recorded by Claude Saubestre and Corentin Boissier (March 2016)

Version for cello and piano premiered by Eric Tinkerhess and Corentin Boissier on December 1, 2017 (Paris)

Version for flute and piano recorded by Iris Daverio and Corentin Boissier (December 2017)

Version for cello and piano live performed by the Duo Fortecello (Anna Mikulska & Philippe Argenty) on August 17, 2020 at the Église St Vincent de La Llagonne

Version for cello and piano live performed by Adrien Frasse-Sombet and Nicolas Licciardi on August 12, 2021 at the Église St Vincent de La Llagonne

Version for cello and harp live performed by the duo "Les Pierres Vives" (Pauline Amar & Clément Caillol) on July 19, 2022 (Temple de Privas, Ardèche), July 23 (Ax-les-Thermes), July 24 (Fontpédrouse), July 25 (Église St Vincent de La Llagonne) & July 27 (Église St Michel des Angles)

​

Aria of Past Times, for Violin, Cello (or Viola) and Piano, op. 17c (2015/2020) [transcription of the homonymous work for solo piano; also version for instrument and piano]

   5’

Premiered by Dorian Rambaud, Justine Péré and Corentin Boissier on August 5, 2022 at the Église St Vincent de La Llagonne

​

Portraits of a Young Girl, Fantasy-Quartet for Violin, Viola, Cello and Piano, op. 19 (2016)

   17’

In One Movement

​

Sonata for Cello and Piano, op. 21 (2017) [also transcribed for violin and piano as Sonata for Violin and Piano No. 1]

   25’

I- Lento grave – Allegro non troppo

II- Scherzo : Presto con brio

III- Recitativo – Allegro moderato ma risoluto

   Dedicated to Eric Tinkerhess

Recorded by Eric Tinkerhess and Corentin Boissier (December 2017)

Premiered by Joan Palet and Nicolas Licciardi on August 12, 2019 at the Église St Vincent de La Llagonne

Performed by Jordi Albelda and Nicolas Licciardi on November 30, 2019 at Sant Serni de Canillo (Principality of Andorra)

Recorded in studio by Magali Mouterde and Théodore Lambert (June 2021)

CD released by the British label Toccata Classics

Performed by Carolina Bartumeu and Rosalía Gómez Lasheras on August 2, 2021 at the Église St Vincent de La Llagonne

Performed by Adrien Frasse-Sombet and Nicolas Licciardi on August 12, 2021 at the Église St Vincent de La Llagonne

Performed by Adrien Frasse-Sombet and Nicolas Licciardi on August 18, 2021 in the Jardins de Caldégas (Bourg-Madame)

Scherzo movement performed by Tristan Bourget and Stéphanie Elbaz on August 3, 2022 at the Église St Vincent de La Llagonne

Performed by Justine Péré and Corentin Boissier on August 5, 2022 at the Église St Vincent de La Llagonne

Performed by Tristan Bourget and Théodore Lambert on June 26, 2023 at the Auditorium Maurice Ravel (Le Perreux-sur-Marne)

Performed by Tristan Bourget and Théodore Lambert on August 9, 2023 at the Église St Vincent de La Llagonne

​

Sonata for Violin and Piano No. 1, op. 21b (2017) [transcription of the Sonata for Cello and Piano]

   25’

Premiered by Ala Voronkova and Nicolas Licciardi on July 25, 2020 at the Église Sainte Eugénie de Saillagouse

Performed by Ala Voronkova and Nicolas Licciardi on August 14, 2020 at the Église St Vincent de La Llagonne

Performed by Ala Voronkova and Nicolas Licciardi on June 25, 2022 at the European Museum of Modern Art (MEAM), Barcelona

Performed by Claire Théobald and Nicolas Licciardi on August 1, 2022 at the Église St Vincent de La Llagonne

​

Trio for Violin, Cello and Piano, op. 22 (2018) [also transcribed for violin, viola and piano]

   25’

I- Largo

II- Andantino quasi allegretto

III- Allegro energico

Recorded in studio by the Trio Aralia (Iris Scialom, Magali Mouterde & Théodore Lambert) (June 2021)

CD released by the British label Toccata Classics

Premiered by the Trio Aralia (Iris Scialom, Magali Mouterde & Théodore Lambert) on June 21, 2022 at the Centre culturel d’Ukraine en France (Paris)

Performed by Dorian Rambaud, Justine Péré and Corentin Boissier on August 5, 2022 at the Église St Vincent de La Llagonne

​

Trio for Violin, Viola and Piano, op. 22b (2018/2020) [transcription of the Trio for Violin, Cello and Piano]

   25’

​

Sonata for Flute and Piano, op. 23b (2018) [chamber version of the Concerto for Flute and orchestra; also transcribed for violin and piano as Sonata for Violin and Piano No. 2]

   17’

I- Introduzione ed Allegro (Lento assai – Allegro ma non tanto)

II- Fantasia notturna (Andante largamente)

III- Rondo scherzoso (Presto con spirito)

Recorded by Gladys Avignon and Corentin Boissier (February 2020)

Recorded in studio by Corentin Garac and Corentin Boissier (February 2021)

CD released by the British label Toccata Classics

American Premiere by Melinda Wade-English and Woobin Park at the Washington College (Chestertown, Maryland) on October 29, 2021

Recorded by Melinda Wade-English and Hui-Chuan Chen (USA, June 2022)

Recorded by Anastasiia Tonina and Alexandra Popova (Detmold, Germany, October 2022)

Performed by Isabel Serrano and Ching-Chia Lin on April 9, 2023 at the Manhattan School of Music (New York)

Irish Premiere by Martina Rosaria O’Connell and David Vesey during the ChamberFest Dublin at the Royal Irish Academy of Music on April 25, 2023

Performed by Melinda Wade-English and Corentin Boissier on August 2, 2023 at the Église St Vincent de La Llagonne

Performed by Iryna Horlenko and Tetiana Viktory on October 26, 2023 at the Centre culturel d’Ukraine en France (Paris)

​

Sonata for Violin and Piano No. 2, op. 23c (2018/2020) [transcription of the Sonata for Flute and Piano]

   17’

Premiered by Ala Voronkova and Nicolas Licciardi on August 14, 2020 at the Église St Vincent de La Llagonne

​

Pyrenean Sonata for Violin and Guitar, op. 25b (2019) [chamber version of the Pyrenean Fantasy for Violin and orchestra]

   13’

In One Movement

Premiered by the RaGa Duo (Raphaëlle Rubio & Gabrielle Rubio) on August 11, 2020 at the Église St Vincent de La Llagonne

Performed by the RaGa Duo (Raphaëlle Rubio & Gabrielle Rubio) on September 27, 2020 at the Église Saint-Sébastien de Palau-del-Vidre

Performed by the RaGa Duo (Raphaëlle Rubio & Gabrielle Rubio) on August 17, 2022 at the Église Saint-Michel des Angles

Performed by the RaGa Duo (Raphaëlle Rubio & Gabrielle Rubio) on August 21, 2022 at the Église de Rignat

Performed by Dhyani Gylling and Sergio Santiago on June 18, 2023 at the Square Serge Reggiani (Paris)

Performed by Dhyani Gylling and Sergio Santiago on June 20, 2023 at "L’Accord Parfait" (Paris)

Performed by the RaGa Duo (Raphaëlle Rubio & Gabrielle Rubio) on August 14, 2023 at the Église St Vincent de La Llagonne

​

Sonata for Trumpet and Piano, op. 26b (2020) [chamber version of the Concerto for Trumpet and orchestra; also transcribed for alto saxophone and piano]

   17’

I- Maestoso – Allegro deciso

II- Elegy: Andante mesto

III- Vivace alla marcia

​

Sonata for Alto Saxophone and Piano, op. 26c (2020) [transcription of the Sonata for Trumpet and Piano]

   17’

Premiered by Armelle Verguet and Mathilde Verguet on August 5, 2022 at La Roche D’Hys - Domaine Des Arts (Massingy-lès-Vitteaux)

Performed by Armelle Verguet and Mathilde Verguet on August 11, 2022 at the Église St Vincent de La Llagonne

​

La Fontaine aux Naïades (The Fountain of the Naiads), Nocturne and Dance for Cello and Harp, op. 28b (2020) [chamber version of the homonymous work for orchestra]

   12’

Notturno (Andante) – Danza (Allegretto)

   Dedicated to Pauline Amar and Clément Caillol

Premiered by the duo "Les Pierres Vives" (Pauline Amar & Clément Caillol) on July 22, 2021 at the Église St Vincent de La Llagonne

​

Aubade for Guitar and Harp, op. 30b (2021) [chamber version of the Aubade for Guitar and Small orchestra]

   6’

Tranquillamente – L’istesso tempo, ma senza rigore – Lento contemplativo

   Commissioned by the Vero Duo (Gretchen Chell Cover & Miguel Bonachea)

Premiered by the duo "Corde Celesti" (Christiane Bunk & Albrecht Bunk) on August 17, 2022 at the Apostelkirche (Apostle Church), Leipzig-Grosszschocher

Performed by the duo "Corde Celesti" (Christiane Bunk & Albrecht Bunk) on April 14, 2023 (Kulturkapelle Langenaubach, Haiger), April 15 (St. Ignaz, Mainz) & April 16 (Evangelische Kirche Kleinlinden, Gießen)

​

Concertino for Trumpet, String orchestra (or string quartet) and Piano obbligato, op. 31 (2021)

   10’

I- Allegro con brio

II- Larghetto pastorale

III- Presto capriccioso

   Dedicated to Lise Bergeon

Premiered by Lise Bergeon (trumpet), Aï Nakano (violin I), Rébecca Normand-Condat (violin II), Yurine Matsuoka (viola), Adrien Frasse-Sombet (cello) and Corentin Boissier (piano) on February 3, 4 & 5, 2022 at the Salle Cortot (Paris)

Performed by Lise Bergeon (trumpet), Aï Nakano (violin I), Rébecca Normand-Condat (violin II), Yurine Matsuoka (viola), Angèle Dubois (cello) and Corentin Boissier (piano) on May 10, 2022 at the Salle d’Orgue of the CNSM of Paris

​

The Mountain over the Hours, Modal Suite for Violin and Piano, op. 32 (2021)

   18’

I- The First Gleams of the Day (in the Dorian mode)
II- Dance of the Spirits of Dawn (in the Phrygian mode)
III- Fresh Morning (in the Lydian mode)
IV- At Noonday (in the Mixolydian mode)
V- In the Evening (in the Aeolian mode)
VI- The Mists of Twilight (in the Locrian mode)
VII- Starry Night (in the Ionian mode)

Performed privately by Jordi Albelda and Nicolas Licciardi on January 14, 2022

Premiered by Dorian Rambaud and Corentin Boissier on August 5, 2022 at the Église St Vincent de La Llagonne

​

Two Catalan Sketches, for Violin and Piano, op. 33b (2022) [chamber version of the homonymous work for orchestra]
   7’
I- Impressió nocturna (Andante sostenuto)
II- Sardana Llagonnesa (Allegretto con moto)

Premiered by Claire Théobald and Nicolas Licciardi on August 1, 2022 at the Église St Vincent de La Llagonne

​

String Quartet, op. 34b (2022) [chamber version of the Triptych for String Orchestra]
   21’
I- Overture (Allegro ruvido)
II- Lament (Largamente assai)
III- Toccata (Presto furioso)

Premiered by the Quatuor Sauvage (Fabian Ishibashi & Hélia Fassi, violins; Beatriz Ortiz, viola; Solène Queyras, cello) on February 10, 2023 at "Le Regard du Cygne" (Paris)

Performed by the Quatuor Sauvage (Fabian Ishibashi & Hélia Fassi, violins; Beatriz Ortiz, viola; Solène Queyras, cello) on February 12, 2023 at "ID Phines" (Le Kremlin-Bicêtre, France)

Performed by the Quatuor Sauvage (Fabian Ishibashi & Hélia Fassi, violins; Beatriz Ortiz, viola; Solène Queyras, cello) on June 9, 2023 at the Centre culturel d’Ukraine en France (Paris)

​

​

SOLO  PIANO

 

L’Enfance de l’Art, Four Pieces, op. 1b (2005; rev. 2015) [transcription of the homonymous work for harp]

   11’

I- Lady of the Lake (Andantino grazioso)

II- Nostalgia (Lento quieto)

III- Every Life has its Melody (Adagio cantabile)

IV- A Sea Poem (Andante un poco mosso)

​

Glamour Concerto, op. 7b (2012) [version for solo piano of the homonymous work for piano and orchestra]

   25’

I- Glamour appassionato (Allegro)

II- Manhattan Waltz-Romance (Moderato, tempo di valse)

III- Spanish Lovers in Brooklyn (Andante – Allegro all’ espagnola)

Recorded by the composer (2013)

1st movement recorded by Thierry Châtelain (February 2013) and premiered at L’Entrepôt (Paris) on June 5, 2013

Complete work premiered by Minna Re Shin in New York (2016)

​

Philip Marlowe Passacaglia, op. 8b (2013) [after the 2nd movement of the Philip Marlowe Concerto for piano and orchestra]

   6’

Lento

​

Piano Sonata No. 1 "Sonata Romantica", op. 9 (2013)

   21’

I- Allegro con moto – attacca

II- Romance : Adagio cantabile – attacca

III- Tarantella : Vivace energico e con spirito

Recorded by Loïg Delanoy (2014)

Recorded by Philippe Hattat (2014)

​

Romance, op. 9b (2013) [stand-alone slow movement of the Piano Sonata No. 1 "Sonata Romantica"]

   6’

Adagio cantabile

​

Double Toccata, op. 10b (2013) [transcription of the homonymous work for orchestra; also version for organ]

   8’

Introduzione in modo di toccata – Toccata concertante

Recorded by Philippe Hattat (2014)

​

Romantic Young Ladies, Three Pieces, op. 13 (2012/14)

   10’

I- La Dame aux camélias (Nocturne)

II- Delphine de Girardin (Melancholic Waltz)

III- Marie d’Agoult (Intermezzo)

   Dedicated to Annarita Santagada

1st piece premiered by Yun-Yang Lee on March 27, 2013 at the Conservatoire à Rayonnement Régional (CRR) de Paris

Complete work premiered by Annarita Santagada on December 24, 2015 in Rome (Sala Blu di Vitinia)

Performed by Stéphanie Elbaz on August 11, 2023 at the Église St Vincent de La Llagonne

​

Around the World in 80 Minutes, 24 Preludes to Travel, op. 14 (2014)

   80’

1- Bulgarian Heights

2- Paris Fleur Bleue

3- Hollywood Black and White

4- Wiener Kaffeehaus Walzer

5- Caravan of Sahara

6- Good Old Russia

7- Serenata Brasileira

8- Midnight on the Fifth Avenue

9- Ballade of the Irish Wind

10- Starlit Andalucia

11- The Little Match Girl of Copenhagen

12- Stamp from China

13- Warsaw Forever

14- Mexican Lullaby

15- The Soviet Stakhanov at Work

16- From Diaspora to Kibbutz

17- Louisiana Katrina Blues

18- Pampa Tango

19- Canzonetta di Venezia

20- Geisha of Kyoto

21- Spirit of Hungary

22- Chicago Jazzy Rag

23- Buckingham Pomp and Pub

24- Dreaming at Lilliput

Preludes Nos. 13, 22 & 10 recorded by Philippe Hattat (2015)

Prelude No. 3 recorded by Victor Hugo Morales (2015)

Prelude No. 2 recorded by Anna Heller (June 2019)

​

Pandora’s Box, Concert Piece, op. 15 (2014)

   9’

Allegro tempestuoso – Lento doloroso

Recorded by the composer (2015)

​

Solitude, Poem, op. 16 (2015)

   8’

Moderato con rubato – Agitato – Maestoso drammatico – Lento desolato

Recorded by Philippe Hattat (2015)

​

Aria of Past Times, op. 17 (2015) [also version for instrument and piano, and version for violin, cello/viola and piano]

   5’

Recorded by the composer (2015)

​

Piano Sonata No. 2 "Sonata Appassionata", op. 18 (2015)

   24’

I- Allegro impetuoso (quasi una fantasia)

II- Intermezzo : Andante espressivo

III- Finale : Allegro appassionato

   Dedicated to Maryse Ramette

Premiered by Célia Oneto Bensaid on February 8, 2018 at the Salle Cortot (Paris)

Recorded in studio by Célia Oneto Bensaid (2018)

Recorded in studio by Valentina Seferinova (2019)

CD released by the British label Toccata Classics

​

Lullaby for Alexandre, op. 24 (2019)

   5’

Adagio con delicatezza

   Dedicated to Alexandre Trilles and his Family

Recorded by the composer (2019)

Premiered by Tetiana Viktory on October 26, 2023 at the Centre culturel d’Ukraine en France (Paris)

​

​

OTHER  SOLO  INSTRUMENTS

​

L’Enfance de l’Art, Four Pieces for Harp, op. 1 (2005; rev. 2015) [also transcribed for piano]

   11’

I- Lady of the Lake (Andantino grazioso)

II- Nostalgia (Lento quieto)

III- Every Life has its Melody (Adagio cantabile)

IV- A Sea Poem (Andante un poco mosso)

Recorded by Pauline Amar (September 2018)

Premiered by Pauline Amar on July 23, 2020 at the Église St Vincent de La Llagonne

2nd piece recorded by Hannah Haynes (October 2020)

German Premiere (Munich) by Claire Augier de Lajallet on May 9, 2021

Recorded for YouTube by Claire Augier de Lajallet (September 2021)

1st & 2nd pieces live performed by Danielle Kuntz (Ann Arbor, Michigan) on October 28, 2021

Recorded in studio by Claire Augier de Lajallet (April 2022) for the CD « Memories » (released in June 2023)

1st piece live performed by Claire Augier de Lajallet on July 2, 2022 in Innsbruck (Austria)

1st & 4th pieces live performed by Irina Negadova during "Arfa-Relax" concert on October 21, 2022

Complete work live performed by Claire Augier de Lajallet on June 9, 2023 (Theater im Fraunhofer - Munich, Germany), June 13 (Johannissaal, Château de Nymphenburg - Munich, Germany), June 18 ("L’Accord Parfait" - Paris), August 4 & 6 (Villeneuve-de-la-Raho), August 7 (Église St Vincent de La Llagonne), September 7 (Musée d’Art Moderne de Collioure)

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Don Juan Serenade, Suite for Guitar, op. 2 (2009; rev. 2018)

   13’

I- In Search of a Face

II- Gallant Air

III- Billet-doux

IV- The Rendez-vous

V- Seduction

VI- Farewells

VII- Tomorrow is a New Face

Premiered by Gabrielle Rubio on August 12, 2019 at the Église St Vincent de La Llagonne

Movements 1, 2, 3 & 7 live performed by Umberto Realino on April 11, 2022 during the "Soirées du Conservatoire" at the Auditorium du Conservatoire de Gentilly

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Double Toccata, for Organ, op. 10c (2013) [transcription of the homonymous work for orchestra; also version for piano]

   8’

Introduzione in modo di toccata – Toccata concertante

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Autumn Ballade, for Harp, op. 36 (2023)

   6’

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VOCAL  MUSIC

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Three Poems by Josep Dallerès, for Soprano and Piano, op. 27 (2020)

   9’

I- Mirant amb ulls petits el món

II- Quan tronen les bombes

III- Colors per al planeta

Premiered by Marie-Noëlle Coulon and Nicolas Licciardi on October 24, 2020 at Sant Serni de Canillo (Principality of Andorra)

Recorded by Riki Nagami and Corentin Boissier at the Salon du Vent des Arts (April 2022)

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Andorra (poem by Xavier Plana i Sala), for Mezzo-Soprano, Baritone and Piano, op. 35 (2022)

   6’

Premiered by Caroline de Mahieu, Stéphane de Mahieu and Nicolas Licciardi on October 29, 2022 at Sant Bartomeu de Soldeu (Canillo, Principality of Andorra)

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PEDAGOGICAL WORKS

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Partita for Organ (Choral & 3 Variations) – in the style of Johann Sebastian Bach (2014)

   7’
Choral : Andante moderato
Variation I : Allegretto
Variation II : Lento con grande espressione
Variation III : Allegro con moto
Performed by Samuel Liégeon in June 2014 at the Conservatoire à Rayonnement Régional (CRR) de Paris

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Josquiniana, Three Motets for 5-part Choir a cappella (SATTB) – in the style of Josquin des Prez (2016)

   7’
I- Recordare
II- Audivit ipse
III- Exaltata est

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Three-part Invention (Sinfonia) for Harpsichord/Piano – in the style of Johann Sebastian Bach (2017)

   2’
 

Fantasy-Sonata for Two Pianos – in the style of Johannes Brahms (2019)

   11’
In One Movement
Performed by Kaoli Ono and Gaspard Thomas on June 27, 2019 at the CNSM of Paris

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Beethovenian Postscript, Variations for String Quartet – in the style of Ludwig van Beethoven (2020)

Written on the occasion of the 250th anniversary of Beethoven’s birth
   9’
Tema : Andante maestoso
Variazione I : Poco allegretto
Variazione II : Non troppo allegro
Variazione III : Con moto (fugato)
Variazione IV : Vivace scherzando
Variazione V : Adagio espressivo
Variazione VI (Finale) : Allegro con brio
Abridged version performed at the CNSM of Paris

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ORCHESTRATIONS

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Francis Poulenc: Humoresque for Piano (1935)

   2’

for Wind Ensemble (2014): 2.2.2.2/2.2.2.1/Timp/1Perc/Harp/1 Stringed Double Bass

Live performance, 2015

Conductor: Philippe Ferro

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Claude Debussy: Passepied from the Suite Bergamasque for Piano (1905)

   4’

for Symphony Orchestra (2015): 2.2.2.2/2.2.0.0/Timp/1Perc/Harp/Strings

Live performance, 2015

Conductor: Xavier Delette

Auditorium Marcel Landowski, CRR de Paris

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Alfredo Casella: In Modo Rustico (Homage to G. F. Malipiero), last of the Nine Pieces for Piano, op. 24 (1915)

   4’

for Large Concert Band (2015): 2&Picc.2[II+CA].11&Little Cl&Bass Cl.2Bsn/5Sax[2 Alt, 2 Ten, 1 Bar]/4Horns.5Trp.2Tbn&Bass Tbn.4Euph.2Tubas/Timp/3Perc/1 Stringed Double Bass

Also alternative scoring with only 1 Bassoon and 3 Horns.

- Live performance, May 2016

Orchestre d’Harmonie des Gardiens de la Paix (Paris)

Conductor: Gildas Harnois

- Live performance, January 2020

Orchestre d’Harmonie "La Sirène de Paris"

Conductor: Jane Latron

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Béla Bartók: First Rondo on Slovak Folk Tunes for Piano (1916)

   3’30

for Symphony Orchestra (2016): 2.2.2.2/2.2.2.1/Timp/2Perc/Harp/Strings

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Frank Bridge: A Fairy Tale, Suite for Piano in Four Movements, H. 128 [The Princess; The Ogre; The Spell; The Prince] (1917)

   12’

for Symphony Orchestra (2016): 2[II+Picc].2[II+CA].2[II+Bass Cl].2[II+Cbn]/2.2.0.0/Timp/2Perc/Harp/Celesta/Strings

Live performance, 2016 (No. 4 "The Prince" only)

Conductor: Pierre-Michel Durand

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Sergei Prokofiev: Four Various Short Pieces, for Piano (1916) [Allegro moderato from Sonatina No. 1, op. 54; March from Ten Pieces, op. 12; Arpa from Visions fugitives, op. 22; Rigaudon from Ten Pieces, op. 12]

   10’

for Symphony Orchestra (2019): 2[II+Picc].2[II+CA].2[II+Bass Cl].2[II+Cbn]/2.2.0.0/Timp/2Perc/Harp/Celesta/Strings

Live performance, 2019 ("Sonatina No. 1" only)

Conductor: Philippe Aïche

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Johannes Brahms: Intermezzo for Piano, op. 119 No. 3 (1893)

   2’

for Symphony Orchestra (2019): 2.2.2.2/2.2.0.0/Timp/1Perc/Strings

Live performance, 2019

Conductor: Mélanie Lévy-Thiébaut

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Claude Debussy: La Fille aux cheveux de lin, from the Preludes for Piano, Book I (1910)

   3’

for Symphony Orchestra (2019): 2.2&CA.2.2/4.0.0.0/Timp/Harp/Strings

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Claude Debussy: Les Sons et les parfums tournent dans l'air du soir, from the Preludes for Piano, Book I (1910)

   4’

for Symphony Orchestra (2019): 2.2&CA.2.2/4.0.0.0/Timp/Harp/Celesta/Strings

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Claude Debussy: La Cathédrale engloutie, from the Preludes for Piano, Book I (1910)

   7’

for Large Symphony Orchestra (2019): 3.2&CA.2&Bass Cl.3/4.3.3.0/Timp/1Perc/Harp/Celesta/Strings

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Claude Debussy: La Terrasse des audiences du clair de lune, from the Preludes for Piano, Book II (1912)

   4’30

for Large Symphony Orchestra (2019): 3[II+Picc].2&CA.2&Bass Cl.3/4.3.3(optional).0/Timp/2Perc/Harp/Celesta/Strings

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Claude Debussy: Les collines d'Anacapri, from the Preludes for Piano, Book I (1910)

   4’

for Large Symphony Orchestra (2019): 2&Picc.2&CA.2&Bass Cl.3/4.3.3.0/Timp/2Perc/Harp/Celesta/Strings

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Florent Schmitt: Danse grotesque, last of the Humoresques for Piano Four-Hands, op. 43 (1912)

   2’

for Large Concert Band (2019): 2&Picc.Ob&CA.11&Little Cl&Bass Cl.2Bsn/5Sax[2 Alt, 2 Ten, 1 Bar]/4Horns.3Trp&2Cornets&Bugle.3Tbn.4Euph.2Tubas/Timp/3Perc/1 Stringed Double Bass

Recorded in March 2020

Orchestre d’Harmonie des Gardiens de la Paix (Paris)

Conductor: Jean-Jacques Charles

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Mélanie Bonis: Sévilliana for Piano (1928)

   4’

for Large Symphony Orchestra (2020): 3.2&CA.2&Bass Cl.3/4.3.3.0/Timp/2Perc/Harp/Celesta/Strings

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Sergei Lyapunov: Cortège des mages (No. 2 from "Fêtes de Noël" for Piano, op. 41, 1910)

   4’30

for Large Symphony Orchestra (2020): 3.2&CA.2&Bass Cl.3/4.3.3.1/Timp/2Perc/Strings

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Leopold Godowsky: The Bromo Volcano and the Sand Sea at Daybreak (No. 6 from "Java Suite" for Piano, 1925)

   4’30

for Large Symphony Orchestra (2020): 3[II+Picc].2&CA.2&Bass Cl.2&Cbn/4.3.3.1/Timp/2Perc/Harp/Celesta/Strings

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Dora Pejacevic: Erinnerung for Piano, op. 24 (1908)

   3’30

for Symphony Orchestra (2020): 2.2.2&Bass Cl.2/2.2.0.0/Timp/Harp/Strings

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Erik Satie: Sonatine bureaucratique for Piano (1917)

   4’

for Large Symphony Orchestra (2020): 3.2&CA.2&Bass Cl.2&Cbn/4.3.3.1/Timp/2Perc/Harp/Celesta/Strings

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Karol Szymanowski: Tantris le Bouffon (No. 2 from "Masques" for Piano, op. 34, 1916)

   7’30

for Large Symphony Orchestra (2020): 3[II+Picc].2&CA.2&Bass Cl.3[III+Cbn]/4.3.3.1/Timp/2Perc/Harp/Celesta/Strings

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Claude Debussy: Mouvement (No. 3 from "Images for Piano, 1st series", 1905)

   4’

for Large Symphony Orchestra (2020): 3[II+Picc].2&CA.2&Bass Cl.2&Cbn/4.3.3.0/Timp/2Perc/Harp/Celesta/Strings

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Manuel de Falla: Andaluza (No. 4 from "Piezas Españolas" for Piano, 1909)

   4’30

for Large Symphony Orchestra (2020): 2&Picc.2&CA.2&Bass Cl.2&Cbn/4.3.3.1/Timp/2Perc/Harp/Celesta(optional)/Strings

Recorded in April 2021

Conductor: Julien Leroy

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Joaquin Turina: La gitana enamorada (No. 1 from "Mujeres Españolas, Series 2", for Piano, op. 73, 1932)

   4’

for Large Symphony Orchestra (2020): 2&Picc.2&CA.2&Bass Cl.2&Cbn/4.3.3.1/Timp/2Perc/Harp/Strings

Premiered by the Orquesta Filarmónica Cervantina conducted by Sergio Bautista on March 24, 2023 at the Municipal Theater of Coslada (Madrid)

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Albert Roussel: Three Pieces for Piano, op. 49 [Allegro con brio; Allegro grazioso; Allegro con spirito] (1933)

   8’

for Large Symphony Orchestra (2021): 2&Picc.2&CA.2&Bass Cl.2&Cbn/4.4.3.1/Timp/2Perc/Harp/Celesta/Strings

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Igor Stravinsky: Quattro Variazioni (3rd movement of the "Concerto for Two Solo Pianos", 1935)

   5’

for Large Symphony Orchestra (2021): 2&Picc.2&CA.2&Bass Cl.2&Cbn/4.3.3.1/Timp/2Perc/Harp/Celesta/Strings

Recorded in June 2021

Conductor: Léo Margue

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Dmitri Shostakovich: 2 Preludes from the "24 Preludes for Piano", op. 34 (1933) [No. 14 in E-flat minor (Adagio) & No. 11 in B major (Allegretto)]

   3’

for Symphony Orchestra (2021): 2.2[II+CA].2&Bass Cl.2[II+Cbn]/2.2.1.0/Timp/1Perc/Harp/Celesta/Strings

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ARRANGEMENTS

 

Gabriel Fauré: Salve Regina for Medium Voice and Organ, op. 67 No. 1 (1895)

   3’

for Medium Voice and String Quartet (or String Orchestra) (2013)

Live performance, December 13, 2013 (Paris)

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Jean Cras: L’Offrande lyrique for Soprano and Piano (1920) [No. 1 "Cueille cette frêle fleur"; No. 2 "Si tu ne parles pas"]

   6’

for Soprano and Ensemble of 12 instruments (2015): Wind Quintet (Fl, Ob, Cl, Bn, Horn) – String Quintet (2.1.1.1) – 1 Percussionist (Timpani, Triangle, Cymbals, Glockenspiel, Vibraphone) – 1 Harp

Live performance, 2015

Soprano: Sayuri Araida

Conductor: Marinu Leccia

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Georges Bizet: Entr’acte from Carmen for Orchestra (1875)

   3’

for Woodwind Quintet (2016): Fl, Ob, Cl, Horn, Bn

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Duke Ellington and Juan Tizol: Caravan for Jazz Orchestra (1936)

   3’30

for Brass Quintet (2016): 2 Trp – Horn – Tbn – Tuba

Live performance, January 24, 2017

Local Brass Quintet

Musée de l’Orangerie (Paris)

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Nikolai Rimsky-Korsakov: Scheherazade, symphonic suite (1888), 2nd movement "The Tale of the Kalandar Prince"

   12’

for Ensemble of 13 instruments (2017): Fl, Cl, Harp, Strings (3.2.2.2.1)

Live performance, August 18, 2017

Festival "Musique de Chambre à Giverny" (Mairie de Vernon)

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Ernest Chausson: Le Temps des lilas for Voice and Piano (or for Voice and Orchestra) (1886)

   4’30

for Voice, Piano and String Quartet (2023)

Live performance, July 14, 2023

Final concert of the "Festival international de musique de Colmar"