Click on each header below:
SYMPHONIC
Overture for Concert Band, op. 5 (2011; rev. 2020)
6’
Concert Band: 2&Picc.Ob&CA.11&Little Cl&Bass Cl.2Bsn/5Sax[2 Alt, 2 Ten, 1 Bar]/4Horns.3Trp&2Cornets&Bugle.3Tbn.4Euph.2Tubas/Timp/3Perc/1 (or 2) Stringed Double Bass
Allegro energico
Double Toccata, op. 10 (2013; orch. 2020) [also version for piano and version for organ]
8’
Symphony Orchestra: 2.2.2&Bass Cl.3/4.3.3.1/Timp/2Perc/Strings
Introduzione in modo di toccata – Toccata concertante
Spring Sinfonietta, op. 12 (2014)
13’
Symphony Orchestra: 2.2.2.2/2.2.2.1/Timp/1Perc/Strings
I- Allegro vivace e giocoso – attacca
II- Poco andante (doppio meno mosso) – attacca
III- Presto con spirito (scherzando) – attacca
IV- Molto vivace, con brio
Fairy Dance Suite, op. 20 (2009/2017)
16’
Symphony Orchestra: 2[II+Picc].2.2.2/2.2.0.0/Timp/2Perc/Harp/Celesta/Strings
I- Saltarello : Allegretto grazioso
II- Minuet : Andantino piacevole
III- Chinese Dance : Moderato con moto
IV- Czardas : Allegretto energico
V- Waltz : Andante affettuoso
La Fontaine aux Naïades (The Fountain of the Naiads), Nocturne and Dance, op. 27 (2020) [also chamber version for cello and harp]
11’
Symphony Orchestra: 2&Picc.2&CA.2&Bass Cl.2&Cbn/4.3.3.1/Timp/2Perc/Harp/Celesta/Strings
Notturno (Andante) – Danza (Allegretto)
CONCERTOS
Alice in Wonderland, Concertino for Harp and Chamber orchestra, op. 3 (2010) [also chamber version for harp, flute, cello and piano, and reduction for harp and piano]
10’
I- The White Rabbit’s Race (Pesante – Scherzando)
II- The Cheshire Cat (Andantino)
III- The Return of Alice (Cadenza – Allegretto)
Solo Harp and Chamber Orchestra: 1.1.0.0/0.0.0.0/Timp/Celesta/Solo Cello/Small String Ensemble (or string quintet)
Glamour Concerto, for Piano and orchestra, op. 7 (2012; orch. 2016) [also version for solo piano]
24’
I- Glamour appassionato (Allegro)
II- Manhattan Waltz-Romance (Moderato, tempo di valse)
III- Spanish Lovers in Brooklyn (Andante – Allegro all’ espagnola)
Solo Piano and Symphony Orchestra: 2[II+Picc].2[II+CA].2.2/4.2.2.1/Timp/2Perc/Strings
Recorded by Valentina Seferinova and the Ukrainian Festival Orchestra conducted by John McLaughlin Williams (Lviv Organ Hall, February 2019)
Philip Marlowe Concerto, for Piano and orchestra, op. 8 (2013; rev. 2018)
20’
I- Allegro drammatico – attacca
II- Lento (Passacaglia) – attacca
III- Allegro feroce, tempo di toccata
Solo Piano and Symphony Orchestra: 0.0.0.0/4.2.2.1/Timp/2Perc/Harp/Strings
Recorded by Valentina Seferinova and the Ukrainian Festival Orchestra conducted by John McLaughlin Williams (Lviv Organ Hall, March 2019)
From Midnight to Dawn, Ballade for Alto Saxophone (or Clarinet in B-flat), string orchestra and Harp, op. 11 (2014; orch. 2016) [also chamber version for alto saxophone/clarinet and piano]
9’
Andante languido e dolce – Allegretto ma non troppo
Concerto for Flute and orchestra, op. 23 (2018) [also chamber version as Sonata for Flute and Piano]
17’
Solo Flute and Symphony Orchestra: 2.2[II+CA].2.2/2.2.0.0/Timp/2Perc/Harp/Strings
I- Introduzione ed Allegro (Lento assai – Allegro ma non tanto)
II- Fantasia notturna (Andante largamente)
III- Rondo scherzoso (Presto con spirito)
Pyrenean Fantasy for Violin and orchestra, op. 24 (2019; orch. 2020) [also chamber version as Pyrenean Sonata for Violin and Guitar]
13’
Solo Violin and Symphony Orchestra: 2.2[II+CA].2.2/2.2.0.0/Timp/2Perc/Harp/Strings
In One Movement
Concerto for Trumpet and orchestra, op. 25 (2020) [also chamber version as Sonata for Trumpet and Piano]
17’
Solo Trumpet and Symphony Orchestra: 2.2.2&Bass Cl.2/4.0.3.1/Timp/2Perc/Strings
I- Maestoso – Allegro deciso
II- Elegy: Andante mesto
III- Vivace alla marcia
CHAMBER MUSIC
Alice in Wonderland, Concertino for Harp, Flute, Cello and Piano, op. 3b (2010/2018) [chamber version of the homonymous work for harp and chamber orchestra; also reduction for harp and piano]
10’
I- The White Rabbit’s Race (Pesante – Scherzando)
II- The Cheshire Cat (Andantino)
III- The Return of Alice (Cadenza – Allegretto)
Recorded by Pauline Amar, Claire Langlais, Clément Caillol and Corentin Boissier (2019)
Alice in Wonderland, for Harp and Piano, op. 3c (2010/2015) [reduction of the homonymous work for harp and chamber orchestra; also chamber version for harp, flute, cello and piano]
10’
Divertimento, for Harpsichord, Flute, Clarinet and Bassoon, op. 4 (2011)
16’
I- Fantasia : Allegretto capriccioso
II- Minuetto : Andantino grazioso
III- Ballata : Allegretto con moto
Passionately Yours, Concert-Etude for Two Pianos, op. 6 (2012; rev. 2016)
7’
Allegro tumultuoso
From Midnight to Dawn, Ballade for Alto Saxophone (or Clarinet in B-flat) and Piano, op. 11b (2014) [chamber version of the homonymous work for alto saxophone/clarinet, string orchestra and harp]
9’
Andante languido e dolce – Allegretto ma non troppo
Version for alto saxophone and piano premiered on August 17, 2014 by Marc Sieffert and Christine Marchais during the 9e Musicales de Bagnac-sur-Célé
Version for clarinet and piano recorded by Benjamin Fryde and Corentin Boissier (2015)
Brazilian Premiere: October 30, 2020 by Carlos Cárdenas and Duly Mittelstedt at the Escola de Música de Brasília
Aria of Past Times, for Instrument (Violin/Cello/Flute...) and Piano, op. 17b (2015) [transcription of the homonymous work for solo piano; also version for violin, cello/viola and piano]
4’30
Version for harmonica and piano recorded by Claude Saubestre and Corentin Boissier (2016)
Version for cello and piano premiered by Eric Tinkerhess and Corentin Boissier (2017)
Version for flute and piano recorded by Iris Daverio and Corentin Boissier (2018)
Version for cello and piano live performed by the Duo Fortecello (Anna Mikulska and Philippe Argenty) at the Église St Vincent of La Llagonne on August 17, 2020
Aria of Past Times, for Violin, Cello (or Viola) and Piano, op. 17c (2015/2020) [transcription of the homonymous work for solo piano; also version for instrument and piano]
4’30
Portraits of a Young Girl, Fantasy-Quartet for Violin, Viola, Cello and Piano, op. 19 (2016)
17’
In One Movement
Sonata for Cello and Piano, op. 21 (2017) [also transcribed for violin and piano as Sonata for Violin and Piano No. 1]
25’
I- Lento grave – Allegro non troppo
II- Scherzo : Presto con brio
III- Recitativo – Allegro moderato ma risoluto
Dedicated to Eric Tinkerhess
Recorded by Eric Tinkerhess and Corentin Boissier (2017)
Premiered on August 12, 2019 by Joan Palet and Nicolas Licciardi at the Église St Vincent of La Llagonne
Performed on November 30, 2019 by Jordi Albelda and Nicolas Licciardi at Sant Serni de Canillo (Principality of Andorra)
Sonata for Violin and Piano No. 1, op. 21b (2017) [transcription of the Sonata for Cello and Piano]
25’
Premiered on July 25, 2020 by Ala Voronkova and Nicolas Licciardi at the Église Sainte Eugénie de Saillagouse
Performed on August 14, 2020 by Ala Voronkova and Nicolas Licciardi at the Église St Vincent of La Llagonne
Trio for Violin, Cello and Piano, op. 22 (2018) [also transcribed for violin, viola and piano]
24’
I- Largo
II- Andantino quasi allegretto
III- Allegro energico
Trio for Violin, Viola and Piano, op. 22b (2018/2020) [transcription of the Trio for Violin, Cello and Piano]
24’
Sonata for Flute and Piano, op. 23b (2018) [chamber version of the Concerto for Flute and orchestra; also transcribed for violin and piano as Sonata for Violin and Piano No. 2]
17’
I- Introduzione ed Allegro (Lento assai – Allegro ma non tanto)
II- Fantasia notturna (Andante largamente)
III- Rondo scherzoso (Presto con spirito)
Recorded by Gladys Avignon and Corentin Boissier (2020)
Sonata for Violin and Piano No. 2, op. 23c (2018/2020) [transcription of the Sonata for Flute and Piano]
17’
Premiered on August 14, 2020 by Ala Voronkova and Nicolas Licciardi at the Église St Vincent of La Llagonne
Pyrenean Sonata for Violin and Guitar, op. 24b (2019) [chamber version of the Pyrenean Fantasy for Violin and orchestra]
13’
In One Movement
Premiered by the RaGa Duo (Raphaëlle Rubio and Gabrielle Rubio) at the Église St Vincent of La Llagonne on August 11, 2020
Performed by the RaGa Duo (Raphaëlle Rubio and Gabrielle Rubio) at the Église Saint-Sébastien de Palau-del-Vidre on September 27, 2020
Sonata for Trumpet and Piano, op. 25b (2020) [chamber version of the Concerto for Trumpet and orchestra]
17’
I- Maestoso – Allegro deciso
II- Elegy: Andante mesto
III- Vivace alla marcia
La Fontaine aux Naïades (The Fountain of the Naiads), Nocturne and Dance for Cello and Harp, op. 27b (2020) [chamber version of the homonymous work for orchestra]
11’
Notturno (Andante) – Danza (Allegretto)
Dedicated to Pauline Amar and Clément Caillol
SOLO PIANO
L’Enfance de l’Art, Four Pieces, op. 1b (2005; rev. 2015) [transcription of the homonymous work for harp]
11’
I- Lady of the Lake (Andantino grazioso)
II- Nostalgia (Lento quieto)
III- Every Life has its Melody (Adagio cantabile)
IV- A Sea Poem (Andante un poco mosso)
Glamour Concerto, op. 7b (2012) [version for solo piano of the homonymous work for piano and orchestra]
24’
I- Glamour appassionato (Allegro)
II- Manhattan Waltz-Romance (Moderato, tempo di valse)
III- Spanish Lovers in Brooklyn (Andante – Allegro all’ espagnola)
Recorded by the composer (2013)
1st movement premiered by Thierry Châtelain (2013)
Complete work premiered by Minna Re Shin (2016)
Philip Marlowe Passacaglia, op. 8b (2013) [after the 2nd movement of the Philip Marlowe Concerto for piano and orchestra]
6’
Lento
Piano Sonata No. 1 "Sonata Romantica", op. 9 (2013)
21’
I- Allegro con moto – attacca
II- Romance : Adagio cantabile – attacca
III- Tarantella : Vivace energico e con spirito
Recorded by Loïg Delanoy (2014)
Recorded by Philippe Hattat (2014)
Romance, op. 9b (2013) [stand-alone slow movement of the Piano Sonata No. 1 "Sonata Romantica"]
6’
Adagio cantabile
Double Toccata, op. 10b (2013) [transcription of the homonymous work for orchestra; also version for organ]
8’
Introduzione in modo di toccata – Toccata concertante
Recorded by Philippe Hattat (2014)
Romantic Young Ladies, Three Pieces, op. 13 (2012/14)
10’
I- La Dame aux camélias (Nocturne)
II- Delphine de Girardin (Melancholic Waltz)
III- Marie d’Agoult (Intermezzo)
Dedicated to Annarita Santagada
1st piece premiered by Yun-Yang Lee (2013)
Complete work premiered by Annarita Santagada (2015)
Around the World in 80 Minutes, 24 Preludes to Travel, op. 14 (2014)
80’
1- Bulgarian Heights. 4’
2- Paris Fleur Bleue. 3’
3- Hollywood Black and White. 3’30
4- Wiener Kaffeehaus Walzer. 3’30
5- Caravan of Sahara. 3’30
6- Good Old Russia. 4’
7- Serenata Brasileira. 2’
8- Midnight on the Fifth Avenue. 4’
9- Ballade of the Irish Wind. 3’
10- Starlit Andalucia. 4’30
11- The Little Match Girl of Copenhagen. 3’30
12- Stamp from China. 2’30
13- Warsaw Forever. 4’30
14- Mexican Lullaby. 3’
15- The Soviet Stakhanov at Work. 3’30
16- From Diaspora to Kibbutz. 3’
17- Louisiana Katrina Blues. 3’
18- Pampa Tango. 3’30
19- Canzonetta di Venezia. 3’
20- Geisha of Kyoto. 4’
21- Spirit of Hungary. 2’30
22- Chicago Jazzy Rag. 1’30
23- Buckingham Pomp and Pub. 4’30
24- Romance at Lilliput. 2’30
Preludes Nos. 13, 22 & 10 recorded by Philippe Hattat (2015)
Prelude No. 3 recorded by Victor Hugo Morales (2015)
Prelude No. 2 recorded by Anna Sutyagina (2019)
Pandora’s Box, Concert Piece, op. 15 (2014)
9’
Allegro tempestuoso – Lento doloroso
Recorded by the composer (2015)
Solitude, Poem, op. 16 (2015)
8’
Moderato con rubato – Agitato – Maestoso drammatico – Lento desolato
Recorded by Philippe Hattat (2015)
Aria of Past Times, op. 17 (2015) [also version for instrument and piano, and version for violin, cello/viola and piano]
4’30
Recorded by the composer (2015)
Piano Sonata No. 2 "Sonata Appassionata", op. 18 (2015)
24’
I- Allegro impetuoso (quasi una fantasia)
II- Intermezzo : Andante espressivo
III- Finale : Allegro appassionato
Dedicated to Maryse Ramette
Premiered by Célia Oneto Bensaid at the Salle Cortot (Paris) on February 8, 2018
Recorded in studio by Célia Oneto Bensaid (2018)
Recorded in studio by Valentina Seferinova (2019)
OTHER SOLO INSTRUMENTS
L’Enfance de l’Art, Four Pieces for Harp, op. 1 (2005; rev. 2015) [also transcribed for piano]
11’
I- Lady of the Lake (Andantino grazioso)
II- Nostalgia (Lento quieto)
III- Every Life has its Melody (Adagio cantabile)
IV- A Sea Poem (Andante un poco mosso)
Recorded by Pauline Amar (2018)
Premiered by Pauline Amar at the Église St Vincent of La Llagonne on July 23, 2020
Don Juan Serenade, Suite for Guitar, op. 2 (2009; rev. 2018)
13’
I- In Search of a Face
II- Gallant Air
III- Billet-doux
IV- The Rendez-vous
V- Seduction
VI- Farewells
VII- Tomorrow is a New Face
Premiered by Gabrielle Rubio at the Église St Vincent of La Llagonne on August 12, 2019
Double Toccata, for Organ, op. 10c (2013) [transcription of the homonymous work for orchestra; also version for piano]
8’
Introduzione in modo di toccata – Toccata concertante
VOCAL MUSIC
Three Poems by Josep Dallerès, for Soprano and Piano, op. 26 (2020)
9’
I- Mirant amb ulls petits el món
II- Quan tronen les bombes
III- Colors per al planeta
Premiered on October 24, 2020 by Marie-Noëlle Coulon and Nicolas Licciardi at Sant Serni de Canillo (Principality of Andorra)
ORCHESTRATIONS
Francis Poulenc: Humoresque (1935)
2’
for Wind Ensemble (2014): 2.2.2.2/2.2.2.1/Timp/1Perc/Harp/1 Stringed Double Bass
Live performance, 2015
Conductor: Philippe Ferro
Claude Debussy: Passepied from the Suite Bergamasque for Piano (1905)
4’
for Symphony Orchestra (2015): 2.2.2.2/2.2.0.0/Timp/1Perc/Harp/Strings
Live performance, 2015
Conductor: Xavier Delette
Auditorium Marcel Landowski, CRR de Paris
Jean Cras: L’Offrande lyrique, for Soprano and Piano (1920) [No. 1 "Cueille cette frêle fleur"; No. 2 "Si tu ne parles pas"]
6’
for Soprano and Ensemble of 12 instruments (2015): Wind Quintet (Fl, Ob, Cl, Bn, Horn) – String Quintet (2.1.1.1) – 1 Percussionist (Timpani, Triangle, Cymbals, Glockenspiel, Vibraphone) – 1 Harp
Live performance, 2015
Soprano: Sayuri Araida
Conductor: Marinu Leccia
Béla Bartók: First Rondo on Slovak Folk Tunes (1916)
3’30
for Symphony Orchestra (2015; rev. 2017): 2.2.2.2/2.2.2.1/Timp/2Perc/Harp/Strings
Alfredo Casella: In Modo Rustico (Homage to G. F. Malipiero), last of the Nine Pieces for Piano, op. 24 (1915)
4’
for Large Concert Band (2015): 2&Picc.2[II+CA].11&Little Cl&Bass Cl.2Bsn/5Sax[2 Alt, 2 Ten, 1 Bar]/4Horns.5Trp.2Tbn&Bass Tbn.4Euph.2Tubas/Timp/3Perc/1 Stringed Double Bass
Also alternative scoring with only 1 Bassoon and 3 Horns.
- Live performance, 2016
Orchestre d’Harmonie des Gardiens de la Paix (Paris)
Conductor: Gildas Harnois
- Live performance, 2020
Orchestre d’Harmonie "La Sirène de Paris"
Conductor: Jane Latron
Frank Bridge: A Fairy Tale, Suite for Piano in Four Movements, H. 128 [The Princess; The Ogre; The Spell; The Prince] (1917)
12’
for Symphony Orchestra (2016): 2[II+Picc].2[II+CA].2[II+Bass Cl].2[II+Cbn]/2.2.0.0/Timp/2Perc/Harp/Celesta/Strings
Live performance, 2016 (No. 4 "The Prince" only)
Conductor: Pierre-Michel Durand
Albert Roussel: Allegro con spirito, 3rd of the Three Pieces for Piano, op. 49 (1933)
4’30
for Symphony Orchestra (2016)
Two Scorings:
"Large" Symphony Orchestra: 2&Picc.2&CA.2&Bass Cl.2&Cbn/4.4.3.1/Timp/3Perc/2Harp/Celesta/Strings
"Small" Symphony Orchestra: 2.2[II+CA].2.2/2.2.2.1/Timp/2Perc/Harp/Celesta/Strings
Sergei Prokofiev: Four Various Short Pieces, for Piano (1916) [Allegro moderato from Sonatina No. 1, op. 54; March from Ten Pieces, op. 12; Arpa from Visions fugitives, op. 22; Rigaudon from Ten Pieces, op. 12]
10’
for Symphony Orchestra (2019): 2[II+Picc].2[II+CA].2[II+Bass Cl].2[II+Cbn]/2.2.0.0/Timp/2Perc/Harp/Celesta/Strings
Live performance, 2019 ("Sonatina No. 1" only)
Conductor: Philippe Aïche
Johannes Brahms: Intermezzo, op. 119 No. 3 (1893)
2’
for Symphony Orchestra (2019): 2.2.2.2/2.2.0.0/Timp/1Perc/Strings
Live performance, 2019
Conductor: Mélanie Lévy-Thiébaut
Claude Debussy: La Fille aux cheveux de lin, from the Preludes for Piano, Book I (1910)
3’
for Symphony Orchestra (2019): 2.2&CA.2.2/4.0.0.0/Timp/Harp/Strings
Claude Debussy: Les Sons et les parfums tournent dans l'air du soir, from the Preludes for Piano, Book I (1910)
4’
for Symphony Orchestra (2019): 2.2&CA.2.2/4.0.0.0/Timp/Harp/Celesta/Strings
Claude Debussy: La Cathédrale engloutie, from the Preludes for Piano, Book I (1910)
7’
for Large Symphony Orchestra (2019): 3.2&CA.2&Bass Cl.3/4.3.3.0/Timp/1Perc/Harp/Celesta/Strings
Claude Debussy: La Terrasse des audiences du clair de lune, from the Preludes for Piano, Book II (1912)
4’30
for Large Symphony Orchestra (2019): 3[II+Picc].2&CA.2&Bass Cl.3/4.3.3(optional).0/Timp/2Perc/Harp/Celesta/Strings
Claude Debussy: Les collines d'Anacapri, from the Preludes for Piano, Book I (1910)
4’
for Large Symphony Orchestra (2019): 2&Picc.2&CA.2&Bass Cl.3/4.3.3.0/Timp/2Perc/Harp/Celesta/Strings
Florent Schmitt: Danse grotesque, last of the Humoresques for Piano Four-Hands, op. 43 (1912)
3’30
for Large Concert Band (2019): 2&Picc.Ob&CA.11&Little Cl&Bass Cl.2Bsn/5Sax[2 Alt, 2 Ten, 1 Bar]/4Horns.3Trp&2Cornets&Bugle.3Tbn.4Euph.2Tubas/Timp/3Perc/1 Stringed Double Bass
Recorded in 2020
Orchestre d’Harmonie des Gardiens de la Paix (Paris)
Conductor: Jean-Jacques Charles
Mélanie Bonis: Sévilliana (1928)
4’
for Large Symphony Orchestra (2020): 3.2&CA.2&Bass Cl.3/4.3.3.0/Timp/2Perc/Harp/Celesta/Strings
Sergei Lyapunov: Cortège des mages (No. 2 from "Fêtes de Noël", op. 41, 1910)
4’30
for Large Symphony Orchestra (2020): 3.2&CA.2&Bass Cl.3/4.3.3.1/Timp/2Perc/Strings
Leopold Godowsky: The Bromo Volcano and the Sand Sea at Daybreak (No. 6 from "Java Suite", 1925)
4’30
for Large Symphony Orchestra (2020): 3[II+Picc].2&CA.2&Bass Cl.2&Cbn/4.3.3.1/Timp/2Perc/Harp/Celesta/Strings
Dora Pejacevic: Erinnerung, op. 24 (1908)
3’30
for Symphony Orchestra (2020): 2.2.2&Bass Cl.2/2.2.0.0/Timp/Harp/Strings
Erik Satie: Sonatine bureaucratique (1917)
4’
for Large Symphony Orchestra (2020): 3.2&CA.2&Bass Cl.2&Cbn/4.3.3.1/Timp/2Perc/Harp/Celesta/Strings
Karol Szymanowski: Tantris le Bouffon (No. 2 from "Masques", op. 34, 1916)
7’30
for Large Symphony Orchestra (2020): 3[II+Picc].2&CA.2&Bass Cl.3[III+Cbn]/4.3.3.1/Timp/2Perc/Harp/Celesta/Strings
Claude Debussy: Mouvement (No. 3 from "Images for Piano, 1st series", 1905)
4’
for Large Symphony Orchestra (2020): 3[II+Picc].2&CA.2&Bass Cl.2&Cbn/4.3.3.0/Timp/2Perc/Harp/Celesta/Strings
Manuel de Falla: Andaluza (No. 4 from "Piezas Españolas", 1909)
5’
for Large Symphony Orchestra (2020): 2&Picc.2&CA.2&Bass Cl.2&Cbn/4.3.3.1/Timp/2Perc/Harp/Celesta(optional)/Strings
Joaquin Turina: La gitana enamorada (No. 1 from "Mujeres Españolas, Series 2", op. 73, 1932)
4’
for Large Symphony Orchestra (2020): 2&Picc.2&CA.2&Bass Cl.2&Cbn/4.3.3.1/Timp/2Perc/Harp/Strings
ARRANGEMENTS
Gabriel Fauré: Salve Regina for Medium Voice and Organ, op. 67 No. 1 (1895)
3’
for Medium Voice and String Quartet (or String Orchestra) (2013)
Georges Bizet: Entr’acte from Carmen (1875)
3’
for Woodwind Quintet (2016): Fl, Ob, Cl, Horn, Bn
Duke Ellington and Juan Tizol: Caravan (1936)
3’30
for Brass Quintet (2016): 2 Trp – Horn – Tbn – Tuba
Live performance, January 24, 2017
Local Brass Quintet
Musée de l'Orangerie (Paris)
Nikolai Rimsky-Korsakov: Scheherazade, symphonic suite (1888), 2nd Movement "The Tale of the Kalandar Prince"
12’
for Ensemble of 13 instruments (2017): Fl, Cl, Harp, Strings (3.2.2.2.1)
Live performance, August 18, 2017
Festival "Musique de Chambre à Giverny" (Mairie de Vernon)
Corentin Boissier's Sonata Appassionata (2015)