Click on each header below:
SYMPHONIC
Overture for Concert Band, op. 7 (2011; rev. 2020)
6’
Large Concert Band: 2&Picc.Ob&CA.11&Little Cl&Bass Cl.2Bsn/5Sax[2 Alt, 2 Ten, 1 Bar]/4Horns.3Trp&2Cornets&Bugle.3Tbn.4Euph.2Tubas/Timp/3Perc/1 Stringed Double Bass
Allegro energico
Spring Sinfonietta, op. 15 (2014)
13’
Symphony Orchestra: 2.2.2.2/2.2.2.1/Timp/1Perc/Strings
I- Allegro vivace e giocoso – attacca
II- Poco andante (doppio meno mosso) – attacca
III- Presto con spirito (scherzando) – attacca
IV- Molto vivace, con brio
Fairy Dance Suite, op. 25 (2009/2017)
16’
Symphony Orchestra: 2[II+Picc].2.2.2/2.2.0.0/Timp/2Perc/Harp/Celesta/Strings
I- Czardas : Allegretto energico
II- Minuet : Andantino piacevole
III- Chinese Dance : Moderato con moto
IV- Saltarello : Allegretto grazioso
V- Waltz : Andante affettuoso
CONCERTOS
Alice in Wonderland, Concertino for Harp and Chamber orchestra, op. 5 (2010)
10’
I- The White Rabbit’s Race (Pesante – Scherzando)
II- The Cheshire Cat (Andantino)
III- The Return of Alice (Cadenza – Allegretto)
Solo Harp and Chamber Orchestra: 1.1.0.0/0.0.0.0/Timp/Celesta/Solo Cello/Strings
Glamour Concerto, for Piano and orchestra, op. 9 (2012; orch. 2016)
25’
I- Glamour appassionato (Allegro)
II- Manhattan Waltz-Romance (Moderato, tempo di Valse Boston)
III- Spanish Lovers in Brooklyn (Andante – Allegro all’ espagnola)
Solo Piano and Symphony Orchestra: 2[II+Picc].2[II+CA].2.2/4.2.2.1/Timp/2Perc/Strings
Recorded by Valentina Seferinova and the Ukrainian Festival Orchestra conducted by John McLaughlin Williams (Lviv Organ Hall, February 2019)
Philip Marlowe Concerto, for Piano and orchestra, op. 10 (2013; rev. 2018)
20’
I- Allegro dramatico – attacca
II- Lento (Passacaglia) – attacca
III- Allegro feroce, tempo di toccata
Solo Piano and Symphony Orchestra: 0.0.0.0/4.2.2.1/Timp/2Perc/Harp/Strings
Recorded by Valentina Seferinova and the Ukrainian Festival Orchestra conducted by John McLaughlin Williams (Lviv Organ Hall, March 2019)
From Midnight to Dawn, Ballade for Alto Saxophone (or Clarinet in B-flat), string orchestra and Harp, op. 13 (2014; orch. 2016)
9’
Andante languido e dolce – Allegretto ma non troppo
Concerto for Flute and orchestra, op. 28 (2018)
17’
Solo Flute and Symphony Orchestra: 2.2[II+CA].2.2/2.2.0.0/Timp/2Perc/Harp/Strings
I- Introduzione ed Allegro (Lento assai – Allegro ma non tanto)
II- Fantasia notturna (Andante largamente)
III- Rondo scherzoso (Presto con spirito)
CHAMBER MUSIC
Alice in Wonderland, chamber version for Harp, Flute, Cello and Piano, op. 5b (2010/2018)
10’
I- The White Rabbit’s Race (Pesante – Scherzando)
II- The Cheshire Cat (Andantino)
III- The Return of Alice (Cadenza – Allegretto)
Recorded by Pauline Amar, Claire Langlais, Clément Caillol and Corentin Boissier (2019)
Alice in Wonderland, reduction for Harp and Piano, op. 5c (2010/2015)
10’
Divertimento, for Harpsichord, Flute, Clarinet and Bassoon, op. 6 (2011)
16’
I- Fantasia : Allegretto capriccioso
II- Minuetto : Andantino grazioso
III- Ballata : Allegretto con moto
Passionately Yours, Concert-Etude for Two Pianos, op. 8 (2012; rev. 2016)
8’
Allegro tumultuoso
From Midnight to Dawn, Ballade for Alto Saxophone (or Clarinet in B-flat) and Piano, op. 13b (2014)
9’
Andante languido e dolce – Allegretto ma non troppo
Version for alto saxophone and piano premiered by Marc Sieffert and Christine Marchais (2014)
Version for clarinet and piano recorded by Benjamin Fryde and Corentin Boissier (2015)
Aria of Past Times, version for Instrument and Piano, op. 20b (2015)
4’30
Version for harmonica and piano recorded by Claude Saubestre and Corentin Boissier (2016)
Version for cello and piano premiered by Eric Tinkerhess and Corentin Boissier (2017)
Version for flute and piano recorded by Iris Daverio and Corentin Boissier (2018)
Piano Quartet in One Movement, for Violin, Viola, Cello & Piano, op. 23 (2016)
18’
Sonata for Cello and Piano, op. 24 (2017)
25’
I- Lento grave – Allegro non troppo
II- Scherzo : Presto con brio
III- Recitativo – Allegro moderato ma risoluto
Dedicated to Eric Tinkerhess
Recorded by Eric Tinkerhess and Corentin Boissier (2017)
Premiered on August 12, 2019 by Joan Palet and Nicolas Licciardi at the Église St Vincent of La Llagonne
Performed on November 30, 2019 by Jordi Albelda and Nicolas Licciardi at Sant Cerni de Canillo (Principality of Andorra)
Sonata for Violin and Piano, op. 24b (2017)
25’
I- Lento grave – Allegro non troppo
II- Scherzo : Presto con brio
III- Recitativo – Allegro moderato ma risoluto
Beethovenian Postscript, Variations for string quartet, op. 26 (2018)
9’
Tema : Andante maestoso
Variazione I : Poco allegretto
Variazione II : Non troppo allegro
Variazione III : Con moto (fugato)
Variazione IV : Vivace scherzando
Variazione V : Adagio espressivo
Variazione VI (Finale) : Allegro con brio
Abridged version performed at the CNSM of Paris (2018)
Trio for Violin, Cello and Piano, op. 27 (2018)
24’
I- Largo
II- Andantino quasi allegretto
III- Allegro energico
Trio for Violin, Viola and Piano, op. 27b (2018/2020)
24’
Sonata for Flute and Piano, op. 28b (2018)
16’
I- Introduzione ed Allegro (Lento assai – Allegro ma non tanto)
II- Fantasia notturna (Andante largamente)
III- Rondo scherzoso (Presto con spirito)
Fantasy-Sonata (Homage to Brahms), for Two Pianos, op. 29 (2019)
11’
Premiered by Kaoli Ono and Gaspard Thomas (2019, CNSM of Paris)
SOLO PIANO
L’Enfance de l’Art, Four Pieces, op. 1b (2005; rev. 2015)
11’
I- Lady of the Lake (Andantino grazioso)
II- Nostalgia (Lento quieto)
III- Every Life has its Melody (Adagio cantabile)
IV- A Sea Poem (Andante un poco mosso)
Two Sonatinas for Young Pianists, op. 2 (2007) [each sonatina can be performed separately]
• Sonatina No. 1 "The Kitten’s Touch"
3’30
I- Allegretto capriccioso e con spirito
II- Andantino grazioso – Più lento e tranquillo
III- Allegretto con moto
• Sonatina No. 2 (for Piano or Harpsichord)
6’
I- Allegretto giocoso
II- Andantino con nonchalance
III- Allegretto risoluto
The Brothers Karamazov, Concerto for Piano without orchestra, op. 3 (2007; rev. 2013)
30’
I- Dmitri Karamazov (Allegro vigoroso)
II- Alexei Karamazov (Andante religioso)
III- Ivan Karamazov (Presto-Vivace con fuoco – Epilogo : Lento funebre)
Glamour Concerto, op. 9b (2012)
25’
I- Glamour appassionato (Allegro)
II- Manhattan Waltz-Romance (Moderato, tempo di Valse Boston)
III- Spanish Lovers in Brooklyn (Andante – Allegro all’ espagnola)
Recorded by the composer (2013)
1st movement premiered by Thierry Châtelain (2013)
Complete work premiered by Minna Re Shin (2016)
Philip Marlowe Passacaglia, op. 10b (2013) [after the 2nd movement of the Philip Marlowe Piano Concerto]
6’
Lento
Piano Sonata No. 1 "Sonata Romantica", op. 11 (2013) - 21’
I- Allegro con moto – attacca
II- Romance : Adagio cantabile – attacca
III- Tarantella : Vivace energico e con spirito
Recorded by Loïg Delanoy (2014)
Recorded by Philippe Hattat (2014)
Romance in A major, op. 11b (2013) [stand-alone slow movement of the Sonata Romantica]
6’
Adagio cantabile
Double Toccata, op. 12 (2013)
8’
Introduzione in modo di toccata – Toccata concertante
Recorded by Philippe Hattat (2014)
Romantic Young Ladies, Three Pieces, op. 16 (2014)
10’
I- La Dame aux camélias (Nocturne)
II- Delphine de Girardin (Melancholic Waltz)
III- Marie d’Agoult (Intermezzo)
Dedicated to Annarita Santagada
1st piece premiered by Yun-Yang Lee (2013)
Complete work recorded by Annarita Santagada (2015)
Pandora’s Box, Concert Piece, op. 17 (2014)
9’
Allegro tempestuoso – Lento doloroso
Recorded by the composer (2015)
Around the World in 80 Minutes, 24 Preludes to Travel, op. 18 (2014)
80’
1- Bulgarian Heights. 4’
2- Paris Fleur Bleue. 3’
3- Hollywood Black and White. 3’30
4- Wiener Kaffeehaus Walzer. 3’30
5- Caravan of Sahara. 3’30
6- Good Old Russia. 4’
7- Serenata Brasileira. 2’
8- Midnight on the Fifth Avenue. 4’
9- Ballade of the Irish Wind. 3’
10- Starlit Andalucia. 4’30
11- The Little Match Girl of Copenhagen. 3’30
12- Stamp from China. 2’30
13- Warsaw Forever. 4’30
14- Mexican Lullaby. 3’
15- The Soviet Stakhanov at Work. 3’30
16- From Diaspora to Kibbutz. 3’
17- Louisiana Katrina Blues. 3’
18- Pampa Tango. 3’30
19- Canzonetta di Venezia. 3’
20- Geisha of Kyoto. 4’
21- Spirit of Hungary. 2’30
22- Chicago Jazzy Rag. 1’30
23- Buckingham Pomp and Pub. 4’30
24- Romance at Lilliput. 2’30
Preludes Nos. 13, 22 & 10 recorded by Philippe Hattat (2015)
Prelude No. 3 recorded by Victor Hugo Morales (2015)
Prelude No. 2 recorded by Anna Sutyagina (2019)
Solitude, Poem, op. 19 (2015)
8’
Moderato con rubato – Agitato, con follia – Maestoso dramatico – Lento desolato
Recorded by Philippe Hattat (2015)
Aria of Past Times, op. 20 (2015)
4’30
Recorded by the composer (2015)
Piano Sonata No. 2 "Sonata Appassionata", op. 21 (2015)
24’
I- Allegro impetuoso (quasi una fantasia)
II- Intermezzo : Andante espressivo
III- Finale : Allegro appassionato
Dedicated to Maryse Ramette
Premiered by Célia Oneto Bensaid at the Salle Cortot (Paris) on February 8, 2018
Recorded in studio by Célia Oneto Bensaid (2018)
Recorded in studio by Valentina Seferinova (2019)
INSTRUMENTAL
L’Enfance de l’Art, Four Pieces for Harp, op. 1 (2005; rev. 2015)
11’
I- Lady of the Lake (Andantino grazioso)
II- Nostalgia (Lento quieto)
III- Every Life has its Melody (Adagio cantabile)
IV- A Sea Poem (Andante un poco mosso)
Recorded by Pauline Amar (2018)
Don Juan Serenade, Suite for Guitar, op. 4 (2009; rev. 2018)
13’
I- In Search of a Face
II- Gallant Air
III- Billet-doux
IV- The Rendez-vous
V- Seduction
VI- Farewells
VII- Tomorrow is a New Face
Premiered by Gabrielle Rubio at the Église St Vincent of La Llagonne on August 12, 2019
Impromptu, for Harpsichord, op. 6b (2011) [after the first movement of the Divertimento]
3’30
Double Toccata, for Organ, op. 12b (2013)
9’
Introduzione in modo di toccata – Toccata concertante
Partita (Homage to J.-S. Bach), for Organ, op. 14 (2014)
7’
Choral : Andante moderato
Variation I : Allegretto
Variation II : Lento con grande espressione
Variation III : Allegro con moto
Dedicated to Maryse Ramette
Premiered by Samuel Liégeon (2014, CRR of Paris)
Romance at Lilliput, for Celesta, op. 18b (2014) [transcription of the last of the 24 Preludes to Travel for piano]
2’30
Aria of Past Times, version for Organ, op. 20d (2015/2019)
4’30
VOCAL & CHORAL
Aria of Past Times, version for Vocalise and Piano, op. 20c (2015)
4’30
Version for soprano vocalise and piano recorded by Sayuri Araida and Corentin Boissier (2015)
Version for baritone vocalise and piano recorded by Aurélien Gasse and Corentin Boissier (2016)
Josquiniana, Triptych for 5-part choir a cappella, in hommage to Josquin des Prez, op. 22 (2016)
7’
I- Recordare
II- Audivit ipse
III- Exaltata est
Ad minima : 1 Soprano, 1 Alto, 2 Tenors, 1 Bass
ORCHESTRATIONS
Francis Poulenc: Humoresque for Piano (1935)
2’
for Wind Ensemble (2014): 2.2.2.2/2.2.2.1/Timp/1Perc/Harp/1 Stringed Double Bass
Live performance, 2015
Conductor: Philippe Ferro
Claude Debussy: Passepied from the Suite Bergamasque for Piano (1905)
4’
for Symphony Orchestra (2015): 2.2.2.2/2.2.0.0/Timp/1Perc/Harp/Strings
Played in concert, 2015
Conductor: Xavier Delette
Jean Cras: L’Offrande lyrique, for Soprano and Piano (1920) [No. 1 "Cueille cette frêle fleur"; No. 2 "Si tu ne parles pas"]
6’
for Soprano and Ensemble of 12 instruments (2015): Wind Quintet (Fl, Ob, Cl, Bn, Horn) – String Quintet (2.1.1.1) – 1 Percussionist (Timpani, Triangle, Cymbals, Glockenspiel, Vibraphone) – 1 Harp
Live performance, 2015
Soprano: Sayuri Araida
Conductor: Marinu Leccia
Béla Bartók: First Rondo on Slovak Folk Tunes, for Piano (1916)
3’30
for Symphony Orchestra (2015; rev. 2017): 2.2.2.2/2.2.2.1/Timp/2Perc/Harp/Strings
Alfredo Casella: In Modo Rustico (Homage to G. F. Malipiero), last of the Nine Pieces for Piano, op. 24 (1915)
4’
for Large Concert Band (2015): 2&Picc.2[II+CA].11&Little Cl&Bass Cl.2Bsn/5Sax[2 Alt, 2 Ten, 1 Bar]/4Horns.5Trp.2Tbn&Bass Tbn.4Euph.2Tubas/Timp/3Perc/1 Stringed Double Bass
Also alternative scoring with only 1 Bassoon and 3 Horns.
- Played in concert, 2016
Orchestre d’Harmonie des Gardiens de la Paix
Conductor: Gildas Harnois
- Played in concert, 2020
Orchestre d’Harmonie "La Sirène de Paris"
Conductor: Jane Latron
Frank Bridge: A Fairy Tale, Suite for Piano in four movements, H. 128 [The Princess; The Ogre; The Spell; The Prince] (1917)
12’
for Symphony Orchestra (2016): 2[II+Picc].2[II+CA].2[II+Bass Cl].2[II+Cbn]/2.2.0.0/Timp/2Perc/Harp/Celesta/Strings
Live performance, 2016 (No. 4 "The Prince" only)
Conductor: Pierre-Michel Durand
Albert Roussel: Allegro con spirito, 3rd of the Three Pieces for Piano, op. 49 (1933)
4’30
for Symphony Orchestra (2016)
Two Scorings:
"Large" Symphony Orchestra: 2&Picc.2&CA.2&Bass Cl.2&Cbn/4.4.3.1/Timp/3Perc/2Harp/Celesta/Strings
"Small" Symphony Orchestra: 2.2[II+CA].2.2/2.2.2.1/Timp/2Perc/Harp/Celesta/Strings
Sergei Prokofiev: Four Various Short Pieces, for Piano (1916) [Allegro moderato from Sonatina No. 1, op. 54; March from Ten Pieces, op. 12; Arpa from Visions fugitives, op. 22; Rigaudon from Ten Pieces, op. 12]
10’
for Symphony Orchestra (2019): 2[II+Picc].2[II+CA].2[II+Bass Cl].2[II+Cbn]/2.2.0.0/Timp/2Perc/Harp/Celesta/Strings
Live performance, 2019 ("Sonatina No. 1" only)
Conductor: Philippe Aïche
Johannes Brahms: Intermezzo for Piano, op. 119 No. 3 (1893)
2’
for Symphony Orchestra (2019): 2.2.2.2/2.2.0.0/Timp/1Perc/Strings
Live performance, 2019
Conductor: Mélanie Lévy-Thiébaut
Claude Debussy: La Fille aux cheveux de lin, from the Preludes for Piano, Book I (1910)
3’
for Symphony Orchestra (2019): 2.2&CA.2.2/4.0.0.0/Timp/Harp/Strings
Claude Debussy: Les Sons et les parfums tournent dans l'air du soir, from the Preludes for Piano, Book I (1910)
4’
for Symphony Orchestra (2019): 2.2&CA.2.2/4.0.0.0/Timp/Harp/Celesta/Strings
Claude Debussy: La Cathédrale engloutie, from the Preludes for Piano, Book I (1910)
7’
for Large Symphony Orchestra (2019): 3.2&CA.2&Bass Cl.3/4.3.3.0/Timp/1Perc/Harp/Celesta/Strings
Claude Debussy: La Terrasse des audiences du clair de lune, from the Preludes for Piano, Book II (1912)
4’30
for Large Symphony Orchestra (2019): 3[II+Picc].2&CA.2&Bass Cl.3/4.3.3(optional).0/Timp/2Perc/Harp/Celesta/Strings
Claude Debussy: Les collines d'Anacapri, from the Preludes for Piano, Book I (1910)
4’
for Large Symphony Orchestra (2019): 2&Picc.2&CA.2&Bass Cl.3/4.3.3.0/Timp/2Perc/Harp/Celesta/Strings
Florent Schmitt: Danse grotesque, last of the Humoresques for Piano Four-Hands, op. 43 (1912)
3’30
for Large Concert Band (2019): 2&Picc.Ob&CA.11&Little Cl&Bass Cl.2Bsn/5Sax[2 Alt, 2 Ten, 1 Bar]/4Horns.3Trp&2Cornets&Bugle.3Tbn.4Euph.2Tubas/Timp/3Perc/1 Stringed Double Bass
Mélanie Bonis: Sévilliana (1928)
4’
for Large Symphony Orchestra (2020): 3.2&CA.2&Bass Cl.3/4.3.3.0/Timp/2Perc/Harp/Celesta/Strings
Sergei Lyapunov: Cortège des mages (No. 2 from "Fêtes de Noël", op. 41, 1910)
4’30
for Large Symphony Orchestra (2020): 3.2&CA.2&Bass Cl.3/4.3.3.1/Timp/2Perc/Strings
Leopold Godowsky: The Bromo Volcano and the Sand Sea at Daybreak (No. 6 from "Java Suite", 1925)
4’30
for Large Symphony Orchestra (2020): 3[II+Picc].2&CA.2&Bass Cl.2&Cbn/4.3.3.1/Timp/2Perc/Harp/Celesta/Strings
ARRANGEMENTS
Gabriel Fauré: Salve Regina for Medium Voice and Organ, op. 67 No. 1 (1895)
3’
for Medium Voice and String Quartet (or String Orchestra) (2013)
Georges Bizet: Entr’acte from Carmen (1875)
3’
for Woodwind Quintet (2016): Fl, Ob, Cl, Horn, Bn
Duke Ellington and Juan Tizol: Caravan (1936)
3’30
for Brass Quintet (2016): 2 Trp – Horn – Tbn – Tuba
Played in concert, 24 January 2017
Local Brass Quintet
Nikolai Rimsky-Korsakov: Scheherazade, symphonic suite (1888), 2nd Movement "The Tale of the Kalandar Prince"
12’
for Ensemble of 13 instruments (2017): Fl, Cl, Harp, Strings (3.2.2.2.1)
Played in concert during the Festival "Musique de Chambre à Giverny" at the Mairie de Vernon on August 18, 2017
Corentin Boissier's Sonata Appassionata (2015)